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Digging Up The Marrow Trailer Is A Monstrous Good Time

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While I can’t say I’ve been a huge fan of Adam Green’s career over the years, I’ve liked his psychological thrillers Frozen and Spiral more than the Hatchet films and his TV series Holliston. Why immediately start off with a weird compliment/insult combination? Because Digging Up the Marrow looks like it might be an amazingly creepy trip through a creature-filled underground, but I want to keep my expectations tethered. Check out the first trailer below.

Green stars as himself in Digging Up the Marrow, and his life changes forever when he gets a mysterious letter from a potential psycho played by genre maestro Ray Wise (Twin Peaks). Wise’s character claims that monsters are real and that he knows where to find them, deep underground, where darkness covers all.

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Comic Review: Bitch Planet Mixes Feminism And Space Prison For Hardcore Fun

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bitch planetTwo issues into a planned 30-issue run, Image’s Bitch Planet is already begging to be turned into a super grimy TV series from someone who thinks Grindhouse is the greatest movie ever. To clarify: it’s a funny and violently intense look at a shattered society, with surprises slowly making themselves known. It would become my favorite show instantly.

Created by the Eisner-nominated writer Kelly Sue DeConnick and artist Valentine de Landro, Bitch Planet comes off kind of like a feminist version of The Running Man, as a large part of the story takes place in a space prison called the Auxiliary Compliance Outpost, where non-compliant female criminals are sent to live out their days. Earning the titular nickname, the prison is a place that no prisoners leave, so the incarcerated would be wise to keep things as peaceful as possible. Which, of course, doesn’t happen.

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Five Great Sci-Fi Flicks Coming To Netflix In February

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Ah, January is finally over, which means all of the movies headed to theaters will be at least 8% more likely to be engaging, with the possible exception of Jupiter Ascending, which had a predictably horrible debut at Sundance. Critics, right? Thankfully, NetflixNetflix is filling February with a bunch of new-to-streaming features, and they’re adding five solid 2014 sci-fi releases. As well as the first season of Richie Rich, which isn’t sci-fi, but I feel like I’m living in a weird alternate reality where people like Richie Rich again. Anyway, set your My Lists.

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Dead Snow: Red vs. Dead (February 7)
One of my favorite sci-fi/horrors of last year, Tommy Wirkola’s splatstick-filled sequel Dead Snow: Red vs. Dead is a non-stop slip-n-slide through some of the most insanely imaginative gore out there. An advancement on its predecessor in every way, this flick pits the surviving Martin (Vegar Hoel) against that Nazi zombie bastard Herzog (Ørjan Gamst), who is stopping at nothing to raise all the dead German soldiers he can to take over the world. But Martin has two secret weapons: a zombie arm that also has dead-raising powers, and a trio of American zombie killers (including Martin Starr) who are fully invested in putting these bodies back into the ground no matter what it takes. And what it takes is a lot of blood-soaked special effects.

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Giant Freakin’ Bookshelf: New Science Fiction For The Week Of February 2, 2015

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As much as we love science fiction on TV, on the big screen, on the comics page, and in video game form, there’s just something irreplaceable about digging into a good book. There’s no shortage of new sci-fi adventures hitting shelves on a regular basis, but GFR is your one-stop shop to keep up with what’s new in a given week. Here’s what’s new on the Giant Freakin’ Bookshelf!

CastawayPlanet“Castaway Planet” by Eric Flint & Ryk E. Spoor

NEW ENTRY IN THE BEST-SELLING BOUNDARY SERIES. Stranded humans must adapt alien technology to survive on a dangerous planet.

Lost in the dark, half a year into their journey to the colony world of Tantalus, Sakura Kimei, her family, and her best friend, the alien ‘Bemmie’ nicknamed Whips, are torn from the safety of their colony ship. In a crippled lifeboat, they had one chance to find a habitable world. But even then, they would find that their apparent salvation was a world of a thousand secrets.

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Sony Scoops Up Movie Rights To Upcoming Image Robot Comic Descender

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DescenderWith series like Brian K. Fuller’s Saga, Rick Remender’s Black Science, and the pulp-y goodness of Bitch Planet, Image is one of the best sources of comic book science fiction. Now a new series called Descender has caught the eye of Hollywood, and the tale of a young robot making his way through a very hostile universe is already being developed for the big screen before the first issue has even hit shelves.

Descender is the brainchild of writer Jeff Lemire and artist Dustin Nguyen, both of them New York Times bestsellers. The pair will executive produce the Descender film for Sony Pictures Entertainment. In Sony’s announcement, Lemire said:

It was a competitive situation for Descender, and we are thrilled that it ended with Sony Pictures acquiring the series. We know that their film translation will do justice to the original comics, and we are thrilled with their belief in the franchise potential.

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Alien Outpost Is A Guns-Blazing Look At War Zones After The Aliens Invaded

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alien outpostLast year gave us the phenomenal Edge of Tomorrow, a movie that carved a unique time-looping story out of a grander alien invasion war film. Alien Outpost is also a movie that takes place after an alien invasion has left the planet ravaged and afraid, but there isn’t really a hook to bite down on beyond relentless low-budget action mayhem. If you’re not looking for an action movie, though, then I don’t know how to sell this movie to you.

After years of working in the visual effects field on things like the 2005 Fantastic Four, Machete, and Game of Thrones, Jabbar Raisani makes his feature directorial debut with Alien Outpost, which takes place after an alien race came to Earth and spent a year invading it before retreating. Military outposts have been set up all around the world by the former UN, now called The United States Defense Force, and audiences are given “access” to the Middle East-set Outpost 37, where a documentary crew is allowed in to record the everyday goings-on. As you can imagine, impending danger is the order of the day, and the military squad stationed there are much better with their weapons than with social interactions.