Nike Aims To Give Those Back To The Future Shoes A 2015 Release

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Nike Air MAG2015 is the year that Marty McFly jumps to in Back to the Future 2, so I hope you’re ready for 12 months worth of jokes about how we don’t have hoverboards yet (they still have until October, but it doesn’t seem too likely). But there is one potential invention that we could see before too long, as according to Nike, 2015 will be the year we finally get those sweet kicks, the Nike Air MAGs, you know, the awesome high-tops with the power laces.

There have been some knock offs floating around over the years, but these are going to be the real deal, and apparently the shoe design brain trust at the manufacturer has been devoting a significant amount of time to working on this. One of the biggest problems they’ve encountered is how to power those power laces, especially because they don’t want to have to add a bulky battery pack.


Back To The Future Was Never Supposed To Have A Sequel, And Here’s Why

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BTTFendingI remember how amazing the ending of the original Back to the Future was back in good old 1985. Not only had we just sat through a thrilling and hilarious film that felt like an instant classic, but then Doc shows up in a crazy outfit, telling Marty and Jennifer they’ve got to go deal with their kids. In the future. In a goddamn flying car. It was like writer/director Robert Zemeckis leaned in and said, “You liked that, did you? Well, check this shit out!” But it turns out that unforgettable closing scene wasn’t actually intended to set up a sequel at all.

With Back to the Future 2’s target future of 2015 only a month away, the folks at Uproxx decided to dig into the history of the franchise, including the fact that BTTF was never intended as a franchise starter. Speaking to Empire Magazine way back in 2010, Zemeckis said:

We’d never designed the first Back to the Future to have a sequel. The flying car at the end was a joke, a great payoff. We thought this would be really hard to unravel and do again. But when you make a movie that’s as successful as Back to the Future, it becomes this piece of corporate real estate. It becomes bigger than you as a filmmaker. You’re basically given a decision: we’re making a sequel, do you want to be involved in it or not?